Tag: Art

INSIGHT INTO OURSELVES: REVIEW OF BEST SELLING BOOKS “SAPIENS” AND “HOMO DEUS” BY HARARI.

I’m late to the party on reading these; I avoided the hype and constant recommendations about them when they were released in the UK last year. They are also slightly different to what I would normally review (they are quite unlike anything else I have read, almost genre defying) but their  nature, and what can be gleaned from them, makes them worthy of sharing.

At the moment I am very much enjoing exploring us (humankind) from an outside-in perspective. We are absolutely fascinating, if at times a little worrying. There is a theory related to this called “Pleadian” – a belief that a species of alien, so concerned about planet earth and its inhabitants, and their future, they have contacted certain humans to be analytical about it. This was recently explained to me by a friend after I had regaled him with with the synopsis of these books. It’s a theory I don’t quite believe, (it is exceptionally far fetched and sounds like an episide of Charlie Brooker’s “Black Mirror” waiting to happen) however it’s a nice concept to hang a perspective on.

There is a lot of work that speaks about our species and our history as humans, how our brains are wired and how we have created our lives, from a very level viewpoint, inside looking out. What is truly remarkable about Harari’s work is the removed sense of examination he gives us as a species. There is an almost evidential, regimented analysis that puts things very plainly in bitesize digestable, logical chunks. He also manages to discuss meta topics that may be able hard to pin down such as things like money, legends, religion, and technology in a very concise and matter of fact manner. To relate this to a better image: many people have their head under the water and consumed in their own little bubble; Harari is on a boat, above the water’s surface, watching all this happen.

The blurb and concept of these books make them sound quite clinical, however the tone is far from this. It’s remarkably easy to understand, accessible, and has lots of fascinating tangents and interesting asides that provide comprehensible examples.

In this perusal of humankind, Harari also manages to discuss concepts such as consciousness and how our brain and mentality has evolved over the years. It is hugely relatable and seems very close to home, if not somewhat eye opening with the evidence presented with it.

Not to spoil the ending, (“Homo Deus” seems to pick up very naturally where “Sapiens” finishes, and I’d recommend reading both. They feel like a much larger tome or thought process that has had to be divided to allow them to be printed…) but they finish in a slightly bleak outlook looking towards the future and our place within it. I took some comfort and inspiration in this gloom though. Recently I’d read a few articles about creativity and the human brain being important capital in a world where more and more things are becoming automated. Machines can never imagine or dream, or connect to a human brain the way two humans may connect and interact. That is one thing that is safe guarded from being replaced and will always keep us human; it shows the uniqueness and wonder of the squishy mass of cells inside our skulls that we sometimes take for granted. It also shows why art of any kind has such a huge and important part within society as it allows for those sorts of connections, reflections and engagement to happen.

As artists, who deal with creativity as currency to spark and instigate this kind of activity, it proves we are of value and the work we do is worthwhile doing even though at times it is under recognised and overlooked.

A worthy read for anyone; I would recommend these to those who have a natural curiosity about us and the world around us. They feel like an anthropologist’s dream. Artists or creative practitioners of any form though may enjoy reading them though in being able to gain some insight for collective consciousness of today, and thinking about making work for the human of tomorrow – or at least questioning why we are heading in that direction, or how we got here in the first place….

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WHY BLOG?

Well, it’s a question I have asked myself a number of times too. Blogs, for me, have always been something other people did and more often than not, something I was asked to contribute to by the production’s marketing team. I’ve never quite understood their purpose.

I’m currently using this year to really engage with my professional and creative development. By that I mean I’m looking at what I do, how I do it and why. I’m being asked to take on new responsibilities and roles, having been out of training for 5 years, my approach to work has changed. I value different things and different aspects of puppetry appeal to me. I feel I owe it to my own progression as an artist to be honest with myself and look at how I can support and steer my development moving forward.

Part of this has been an extensive amount of reading – I’ll be putting some book reviews up later – but this leads me on to answering “why blog?”
I recently read “Art and Fear: Observations on the Rewards (and Perils) of Art Making” by Ted Orland and David Bayles, and “Show Your Work!” by Austin Kleon; coming across both on various reading lists for creative practitioners. Interestingly, both of them  (despite the time difference in publication) discuss the idea of sharing the development of your work and using it as a recording and documenting process.
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“Art & Fear” makes an excellent point saying that art – in whatever form – is only ever seen by the audience as a final product. A painting hangs in a gallery, finished, a dance piece is seen rehearsed and under performance conditions. As such, an audience never really understands the development that the artist has gone through to get there. It may well be the artist didn’t intend to finish the journey with this result however, in the context of an audience engaging with it for the first time, with no previous knowledge, they will base their thoughts and opinions on what they see in front of them.
I remember, years ago, seeing an object/visual/physical theatre piece that involved a performer dipping themselves in ink and thrashing around on stage to create these very violent distressing black and white images on huge canvases, whilst his fellow performer played a xylophone style instrument made out of stones. I was later told after reading a blurb about the piece that it was an examination of the brief moment before a crow lands (specific, non?) An interesting and rich source of inspiration, however I couldn’t work out how they got to having a barrel of ink and a stone xylophone and this very manic performance. Not that I wanted to see the essence or an exact reenactment of a crow landing procedure onstage, that’s not what theatre is about (if I wanted to watch that, I would go bird watching), but I wanted to know how they got to what I saw in front of me. Even if it were to appreciate each moment of the process as individual art pieces themselves.
“Show Your Work!” encouimage1rages artists to share what they are doing, at all stages of the process. There are lots of different reasons for doing so – this book being published much more recently and aware of social media and online sharing platforms – however, in sharing, it encourages artists and audiences to engage in discussion and peak interest in work, educating and ultimately benefiting everyone.
Furthermore “Art & Fear”, being authored by practising artists, talks about documenting your work, and several artists sketch and notebooks which the authors found useful in their own development. Really I should be doing this on a daily basis and engaging with my creative thoughts. I did whilst training. I was expected to keep a journal which was to be a place to express what I was feeling in what I was learning and to document what I was coming across. Since graduating I haven’t really done so. I obviously keep books on projects I’m working on, however these are more pads to make me remember things from  meetings!
So, back to blogging and why I’m attempting to do it. Bearing all of the above and what I’m trying to do,  it’s a chance for me to document and record my experiences and thoughts as I am working, but ultimately share with you. I find a lot of people spend most of their time engrossed in what they are doing without understanding the “why”. As I’m going through a programme of self and creative development, but in understanding the reason why I am doing something, I’m hoping I can make what and how I do to achieve it much more effective and ultimately help my creative development.
I hope you enjoy coming along for the ride and exploring the inner ramblings of my brain.